What
is the title of the exhibit?
The
Likeness of Being: Portraits by Philip Burke.
What
is the theme of the exhibition?
Caricatures and abstract expressionism of famous people and celebrities.
What
type of lighting is used?
Artificial
ceiling lighting coming from multiple small bulbs and fluorescent tubes which are accentuated by the brown hardwood floor and the white walls. There is
very little natural light inside the gallery.
What colors
are used on the walls?
White
Hardwood floors,
soft board walls and ceilings and a minimum of glass.
How is the
movement of the viewer through the gallery space?
Very linear.
Everything is arranged in straight angular lines. The floor plan does
not allow for any circular movement because the walls are at right angles to each other.
How are the
artworks organized?
Most of the art features showbiz personalities and there doesn’t
seem to be any discernible order in which these are arranged. There is no separation of subjects by date, name, occupation etc. However, the whole collection can be
divided into three broad categories /sections: a) performers who
constitute a vast majority of the featured paintings b) politicians c) a small section for a few sports stars and d) a section
dedicated to self portraits
How are the
artworks similar?
The most prominent artworks
are caricatures, huge, oversized, mostly oil on canvas and very
colorful. All of them are portraits.
How are the
artworks different?
All the subjects
look fairly neutral in their facial expressions with the exception of
artworks depicting President Bush and his vice president Dick Cheney
who both look comical (even for caricatures). Bush is seen holding a
pistol and is dressed as a cowboy while Cheney looks positively
sinister as he is portrayed with a very pronounced hunchback. The
self-portraits of Philip Burke show a serious and thoughtful individual
which is a marked contrast to his other works on display.
How are the
artworks framed?
The paintings are
all unframed
How are the
artworks identified and labeled?
Small placards
with name, date, media (almost all are oil on canvas) and what
publication they were published in are the main identifiers
used. The artworks also bear the artist's handwritten signature.
What is the
proximity of the artwork to each other?
Most are about
one foot from each other depending on the size of the wall and about
two feet off the floor. On
some walls, they are much closer (barely five inches part), depending, I suspect, on how
many they wanted to fit on a particular wall.
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